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This and nothing else is the desperately sought and tragically fragile writer’s process: in his imagination, he sees made-up people doing things—sees clearly—and in the act of wondering what they will do next, he sees what they will do next, and all this he writes down in the best, most accurate words he can find, understanding even as he writes that he may have to find better words later, and that a change in the words may mean a sharpening or deepening of the vision, the fictive dream or vision becoming more and more lucid, until reality, by comparison, seems cold, tedious, and dead. —John Gardner, “Do You Have What It Takes to Become a Novelist?” 1983
Esquire’s 70 Greatest Sentences Quite a few great entries. Charles Bowden, Nabokov, a short theme about female anatomy, Eggers, DFW, Carver, Michael Bay….